Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jacob Maentel
Women take part in the Spanish guitar her a small audience at home.

ID: 60132

Jacob Maentel Women take part in the Spanish guitar her a small audience at home.
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Jacob Maentel Women take part in the Spanish guitar her a small audience at home.


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Jacob Maentel

American physician and watercolor portraits painter,1763-1863  Related Paintings of Jacob Maentel :. | One Window | The Disputation of St.Erasmus and St.Maurice | Apollo in the Forge of Vulcan | Miracle of the Loaves and Fishes | The Lamentation of Christ (mk08) |
Related Artists:
Plowman, Frederick Prussia
Irish, 1773-1820
Hans Jordaens
(1555 - 1630), was a Flemish Baroque painter whose religious works are often confused with that of other painters with the same name.
James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.






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